Reggae Music History

Reggae developed from mento, R&B, and Ska music in the 1960s. The shift from rocksteady to reggae was illustrated by the organ shuffle pioneered by Jamaican musicians like Jackie Mittoo and Winston Wright and featured in transitional singles "Say What You're Saying" (1967) by Clancy Eccles and "People Funny Boy" (1968) by Lee "Scratch" Perry. The Pioneers' 1968 track "Long Shot (Bus' Me Bet)" has been identified as the earliest recorded example of the new rhythm sound that became known as reggae

Early 1968 was when the first bona fide reggae records were released: "Nanny Goat" by Larry Marshall and "No More Heartaches" by The Beltones. That same year, the newest Jamaican sound began to spawn big-name imitators in other countries. American artist Johnny Nash's 1968 hit "Hold Me Tight" has been credited with first putting reggae in the American listener charts. Around the same time, reggae influences were starting to surface in rock and pop music, one example being 1968's "Ob-La-Di, Ob-La-Da" by The Beatles

The Wailers, a band started by Bob Marley, Peter Tosh and Bunny Wailer in 1963, is perhaps the most recognized band that made the transition through all three stages of early Jamaican popular music: ska, rocksteady and reggae. Other significant reggae pioneers include Prince Buster, Desmond Dekker and Ken Boothe.

However, another pioneer was Millie Small (born 6 October 1946  a Jamaican singer-songwriter, best known for her 1964 blue-beat/ska cover version of "My Boy Lollipop" which was a smash hit internationally.

Heavy Metal History

Heavy metal (often referred to as metal) is a genre of rock music that developed in the late 1960s and early 1970s, originally in the United Kingdom and later in the United States. With roots in blues rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are often associated with masculinity, aggression and machismo.

The first heavy metal bands such as Led Zeppelin, Deep Purple and Black Sabbath attracted large audiences, though they were often derided by critics, a status common throughout the history of the genre. In the mid-1970s Judas Priest helped spur the genre's evolution by discarding much of its blues influence;  Motorhead introduced a punk rock sensibility and an increasing emphasis on speed. Bands in the New Wave of British Heavy Metal such as Iron Maiden and Saxon followed in a similar vein. Before the end of the decade, heavy metal fans became known as "metalheads" or "headbangers".

During the 1980s, glam metal became a commercial force with groups like Mötley Crüe and Poison. Underground scenes produced an array of more extreme, aggressive styles: thrash metal broke into the mainstream with bands such as Metallica, Megadeth, Slayer, and Anthrax, while other styles of the most extreme subgenres of metal like death metal and black metal remain subcultural phenomena.

 Since the mid-1990s, popular styles such as groove metal and nu metal (e.g. Pantera and Slipknot, respectively), which often incorporates elements of grunge and hip hop; and metalcore, which blends extreme metal with hardcore punk, have further expanded the definition of the genre.